Research

Elizabethan and Jacobean Embroideries Prints and Weaves

Colour predictions 2014 from WGSN

Roller research

Clay Research Feb 2014

Ceramics and Print by Paul Scott 1994

(738.15.SOC) IBSN 0-7136-3746-3

Inlay

Red clay painted inlay to reveal white clay patterns 13^th-16^th C

Stamp clay with pattern

Biscuit fire clay

Apply under glaze

When dry scape surface back to reveal stamped area

Screen-printing

Mix ceramic pigment with light sensitive emulsion

Print it dry it expose it

Print gum Arabic mixed with Diazo sensitizer

Expose it

Dust with ceramic pigment

Relief printing (to impress)

Try solar plate pressed into leather hard clay

Biscuit fire

Ceramic pigment painted into indented surface and excess wiped away

Carve a lino

Inks made by mix of ceramic pigment (mix cobalt and copper oxides and copperplate oil)

Roller out thin layer of ink

Roll onto lino

Transfer onto clay slabs

Fire and glaze with matt stoneware glaze

Intaglio (below the surface)

Dry point onto Perspex

Ink with oxides or under glaze mixed with copperplate oil

Use ceramic pigment transfer onto pottery tissue (florist paper)

Rub pottery tissue onto bisque fire clay to transfer image

Fire

Mono printing

Paint onto sheet of glass with oxide or underglaze mixed with water

When dry tape a sheet of pottery tissue onto glass and draw onto the paper with soft pencils

Lift off and place on top of damp clay

Rub tissue to transfer image onto the clay

Fire

Screen print straight onto clay or soft porcelain

43T mesh bold shapes

90t mesh half tones

1 part medium system 3

2 parts ceramic pigments

Direct photo emulsion

1 part ceramic pigment

2parts water

2 parts gum Arabic

2 parts ammonium dichromate

Paint onto fried glazed tile

When dry expose to uv using and acetate positive for 10mins

Wash out and re fire @680°c

Liquid light silverprint emulsions

Prime biscuit fired clay with water based acrylic or polyurethane varnish

Paint on emulsion

Expose to light

Develop

Wash for 30 mins under running water

Fired black clay

White glaze brushed over pattern and wiped off with a damp sponge
it didn't turn out white as there is too much iron in the clay overpowering the glaze

Design embossed into porcelain from lion
Bisque fired
A black body glaze was painted over all of the design and then sponged off
Tile was then fired

13th Century scrape back technique.

The design is impressed into black clay,and then bisque fired.

Overpaint with porcelain slip, let dry

Scrape back with a metal kidney

and fire the red clay will turn black

This is the same as above but a wet sponge was used to take off the excess porcelain slip

Specialist Pigments

Sublimation print on brushed gold aluminium

Acrylic pigments screen printed onto aluminium

A sublimation print has been added to this gold aluminium .
this has then had an acrylic screen print placed on top.
it creates a great matt and shiny contrast